Fuck Yeah Amp Worship!

Reblogged from getawayrecording

getawayrecording:

Tone Zone

Submitted by gilettecavalcade

This is the setup I use for my doom band and my noise/indie band. Fender TC90 > Big Muff > ‘74 Bassman Assman 50 into an Avatar 4x12. Kinda spartan but hey

Submitted via email

Hey Sus, you have a copycat

Peavey VTM120 through a Marshall 1960A Lead with Celestion G12T-75s for my dirty tone. Music Man 65 through a Fender cab for my clean tone and effects.

Submitted by disbeard

Doing guitars this weekend for the Dreamtigers full-length (members of Defeater).

Back cover of Districts/Regret, the Informer split LP. Pretty cool.

Reblogged from baritones

baritones:

1967 Fender bassman (ab165)/1973 Traynor yba4.

These amps to me are very similar and some of the best for baritone guitar if you don’t need much headroom. They’ve got a big full bottom end with a real snotty low-midrange that works extremely well for big full chords or chunky power chords. The bassman through a 1x15 traynor cab loaded with a JBL D140F was my favorite until I got the yba4. The yba4 is really similar to the bassman but is a sealed 1x15 combo that crosses over slightly into Marshall territory.

I got rid of both of these to get some LOUDER amps with more headroom.

Reblogged from nothing-wrong-with-a-little-evil

hi

did this cat just walk into a studio and go “i’ll have one of everything please”?

Submitted by ruedescascadeshc

Reblogged from calculationnation

calculationnation:

Cerce tonight. (at The Democracy Center)

Let’s give this FUCKYEAHAMPWORSHIP eBay Roundup a go, shall we?

Someone made a decent point: “What if I’m already watching a piece of gear that you post and the price goes way up?” As much as I would be bummed if there were suddenly an influx of deep-pocketed bidders on something I really wanted, this is EBAY, MAN. The last bastion of laissez-faire. Ain’t no cryin’ in baseball, or on web-based auction sites.

Heads

• ‘65 Fender Tremolux (Blackface)
• ’60s Gibson Mercury (#wow #rare)
• ‘65 Silvertone 1484
• ’70s Univox 1011
• Jet City JCA100H
• ‘90s Ampeg VH140C
• ‘71 Hiwatt DR103 (holy moly)
• Kendrick Texas Crude (dayum)
• Rivera Knucklehead ‘55
• Marshall JCM2000 DSL-100 (includes ATA flight case)

Cabs

• Avatar G412 w/ Celestions
• Mesa Powerhouse Traditional 6x10
• Sound City (Dallas Arbiter-era) 1x12 - empty, but cool nonetheless
• ’70s Traynor YT-15 2x15 (original drivers)
• Mesa/Boogie Bass 400+
• Pair of late ’60s/early ’70s Sunn SR212s (original drivers)

Combos/Half stacks

• ‘68 Sunn Sceptre w/ matching diagonal 4x12
• Pre-Magnavox Ampeg B-25B w/ matching 2x15
• Peavey Classic VTX212 w/ Scorpions
• ‘66 Ampeg Gemini VI (looks like you may need to wash your hands though)
• ’70s Music Man Sixty Five 210
• VHT Special 12/20 (Dylan Carlson from Earth tours with one of these, nasty)
• ’60s Harmony H303A (like your grandpappy used to play)
• Reeves Custom 18

Tubes/Tube sets

• Matched quad of NOS ‘57 Tung-Sol 5881s/6L6GCs
• Matched quad of SED Winged C 6550s
• Matched pair of NOS ‘58 Mullard ECC83s/12AX7s
• Matched pair of NOS Telefunken EL84s

Miscellany

• VHT 2150 power amp
• Alembic F-2B tube bass preamp (secret weapon to Pink Floyd guitar tone)
• Marshall 9100 dual monobloc tube power amp
• Weber Mass Attenuator (8ohm/100w, tweed, “cute”)

Write in and let me know if you score any of these!

Reblogged from m0arcoffee

m0arcoffee:

this happened once, we called it Death Fuck.

appropriate

Reblogged from zacsuskevich

zacsuskevich:

lomablog:

At the studio.

Unf.

ok